Patriarch preacher Eli Gemstone (John Goodman) is of relatively new money, having established a Joel Osteenâesque empire with his late wife Aimee-Leigh in the past several decades. His manse leans more traditional, though it comes with its fair share of grand gauche elements, like a gratuitous memorial garden and a megawatt gold front door. In tracing the roots of the Gemstone look, âyou could google ânew money decorationâ to be as baseline as that, but then also thereâs a little pantheon of people that we referred to,â set decorator Patrick Cassidy says, citing famous megachurch power couples like Jim and Tammy Faye Bakker and Jimmy and Frances Swaggart as some real-life figures in whose image the Gemstones were made.
Jesse Gemstoneâs house
Eliâs three children maintain their own estates on the familyâs South Carolina compound, and their respective dwellings are where the showâs delightfully tacky design truly shines through. While neither of the megachurch founderâs two adult failsons seem a fitting choice for Eliâs successor, Jesse Gemstone (played by show creator Danny McBride) is the eldest and sees himself stepping into his fatherâs shoes as head of the congregation, which is illustrated in his homeâs design. Jesseâs desire to be regarded as a powerful alpha male manifests in features meant to shout his wealth and importance from the padâs rooftop, literally.
âHe wants to be respected. Heâs always just like, âWait, why am I not in charge?â Obviously heâs ready to take the throne,â production designer Richard Wright tells AD, noting that Jesseâs home nods to his fatherâs aesthetic but with a more contemporary bent. âJesseâs house is one of my favorite exteriors because it has so many weird features that are unclear why theyâre there, all sorts of cupolas and points. Itâs a pretty detailed McMansion design.â
Judy Gemstoneâs house
For the Gemstone broodâs only daughter, Judy (Edi Patterson), a more coherently inelegant vision takes shape: âJudy for me was the angriest little rich girl who made the most money in the world: ultrafeminine, a lot of pink and icy blues,â Cassidy says. Itâs tough to pick favorite features between the throw pillows emblazoned with Magic Photo glamour shots of herself and husband BJ (Tim Baltz) and taxidermy arranged in action poses, but the explicit painting of Judy and BJ as Adam and Eve in the Garden of Edenânude and pictured with the forbidden fruit, no lessâmakes a bold, if blasphemous, decorative statement from its station above the fireplace.